Elaborate Baskets by Jeremy Frey Weave Indigenous Tradition and Contemporary Form



Art
Craft

#baskets
#Indigenous culture
#Jeremy Frey
#Maine
#weaving

July 11, 2024

Kate Mothes

“Defensive” (2022), ash, sweetgrass, and dye, 12 1/2 x 7 1/2 x 7 1/2 inches. Image courtesy of Eric Stoner. All images © Jeremy Frey, shared with permission

Since time immemorial, the Wabanaki—People of the Dawn—have harvested sweetgrass in the summer for use in ceremonies and prayer and to make baskets, braids, pottery, and medicine. In Maine, the plant grows along the coast in wetlands and marshes and is named for its enchanting fragrance that blends notes of vanilla, evergreen, earth, and salt. Harvesting only what’s needed stimulates the grass to send up new shoots.

When European colonists established settlements along the eastern coastline, they severely curtailed access to sweetgrass as they encroached on the Indigenous tribes’ traditional territories. The Wabanaki, comprising the Maliseet, Micmac, Passamaquoddy, and Penobscot tribes, were often prohibited from harvesting the sacred grass. Rights are now restored in some areas, yet in spite of the struggle to retain access, the material continues to play an enormously rich role in Indigenous culture, not least in the region’s exquisite craft traditions.

Jeremy Frey was raised on the Passamaquoddy Indian Township Reservation in Maine and carries on the ancestral Wabanaki practice of weaving sweetgrass into elaborate baskets. “A descendant of a long line of Indigenous weavers, the artist learned traditional Wabanaki methods from his mother and by apprenticing at the Maine Indian Basketmakers Alliance,” says a statement on his site.

 

Detail of “Defensive”

Foraging for the materials that he processes and shapes into the sculptural forms, Frey continues traditional methods while expanding on the possibilities of texture and color. His work nods to the formal qualities of ancient Greek and Roman pottery, experimenting with the timeless elements comprising a vessel, while also following a contemporary intuition. No two baskets are alike; subtle variations in the colors, weaves, and overall form all emerge from the core ingredients of sweetgrass, wood from brown ash trees, dye, and meticulous attention to detail.

“Frey gathers every material that he uses in his practice—black ash, sweetgrass, cedar, spruce root, birch bark, and porcupine quills,” says Ramey Mize, Associate Curator of American Art at the Portland Museum of Art, where the artist’s work is currently the focus of the exhibition Woven. Mize adds that Frey “creates works of exquisite complexity that reflect not only his immense technical skill but also his profound ecological knowledge and relationship with the environment of the north woods.”

Woven continues in Portland, Maine, through September 15, then travels to the Art Institute of Chicago, where it will open on October 26. Find more on Frey’s website and Instagram.

 

an elaborate basket comprising baskets within baskets, woven from sweetgrass and dyed with stripes in the center

“Basket within Basket” (2012), ash, sweetgrass, and dye, 9 x 13 x 13 inches. Image courtesy of Eric Stoner

a conical handmade basket made from dyed sweetgrass, where the bottom is much smaller than the wide opening at the top

“Duality” (2024), ash, sweetgrass, synthetic dye, and granite, 14 3/8 x 13 5/8 x 13 5/8 inches. Image courtesy of Karma, New York and Los Angeles

an "urchin" basket made from woven sweetgrass and dyed with bright blue and black to create geometric patterns

“Blue Point Urchin” (2016), ash, sweetgrass, and dye, 5 x 9 x 9 inches. Image courtesy of Eric Stoner

an elaborate basket with a lid woven from sweetgrass and dyed with orange, red, and black to create an elaborate repeating pattern

“Observer” (2022), ash, sweetgrass, porcupine quill on birch bark, and dye, 13 1/2 x 10 1/2 x 10 1/2 inches. Image courtesy of Eric Stoner

a detail of a basket with red, black, and cream-colored textures

Detail of “Observer”

an elaborate, tall basket woven from ash and sweetgrass, dyed blue and red to create a visually striking pattern

“Radiance” (2024), black ash, sweetgrass, and synthetic dye, 22 x 12 inches. Image courtesy of Karma, New York and Los Angeles

an elaborate, tall basket woven from sweetgrass and black ash, dyed with black and turquoise to create a striking visual pattern

“Legacy” (2024), black ash, sweetgrass, and synthetic dye 22 x 11 1/4 x 11 1/4 inches. Image courtesy of Karma, New York and Los Angeles

#baskets
#Indigenous culture
#Jeremy Frey
#Maine
#weaving

 

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