Johanna Goodman’s Larger-than-Life Collaged Figures Embody Strength and Resilience



Art
Illustration
Social Issues

#collage
#Johanna Goodman

August 14, 2024

Kate Mothes

“Abortion Rights.” All images © Johanna Goodman, shared with permission

From neighborhood highlights to presidential candidates to the total solar eclipse event this past April, Johanna Goodman’s lighthearted collages highlight vital issues, current events, and pivotal personalities. Foregrounding city scenes, iconic architecture, or vivid patterns, the figures in her compositions confidently embody their surroundings and concerns.

For the last few years, Goodman has focused on a series titled Catalogue of Imaginary Beings (previously). More recently, she has branched into numerous sub-series that often focus on specific themes, ranging from regional celebrations—like a collection celebrating the heritage of the Bronx neighborhood in New York City—to fashion, the seasons, mythology, or her vision for the future. She works with a mix of materials, from analog paper and paste to digital tools to fabric, creating collages that are often installed at a large scale.

Many of Goodman’s pieces directly reference current events and critical social issues, like depicting a wind turbine worker as part of WIRED magazine’s monthly series titled Your Next Job or her recent collage about abortion rights made in support of RHEDI, a nonprofit expanding access to high-quality abortion care.

Resilient women often make appearances in Goodman’s pieces, like a portrait of Vice President Kamala Harris, who wears a manifestation of the White House in a reflection of her bid to win the presidential election later this year. And author and journalist E. Jean Carroll, whose legal suits against Donald Trump found the former president liable for sexual abuse and defamation—the latter twice—appears in front of an ornate classical courthouse wearing armor and wielding a sword.

Goodman recently translated a few figures into quilts and soft sculptures for an exhibition titled Figure. Head. at AmCE Creative Arts in Seattle, opening September 14. She also designed the front cover of a new Penguin edition of Virginia Woolf’s Orlando, which will be released on September 24. You can pre-order your copy now on Bookshop, and explore much more of Goodman’s work on her website.

 

“Plate No. 505, E. Jean Carroll”

a collage of an exaggeratedly tall woman wearing an abstract dress with a historic map of the Borough of the Bronx

“Bronx No. 4”

a quilted collage of two exaggeratedly tall women wearing black dresses and standing in front of a patchwork background

“Plate No. 512” (2023), fabric, 60 x 40 inches

a collage of an exaggeratedly tall Kamala Harris with a billowing garment containing a photograph of the White House

“Kamala Harris for President”

a collage of an exaggeratedly tall man climbing up an abstracted wind turbine with a sunny orange day on one side and a blue snowy day on the other side

“Wind Turbine Repair,” WIRED Magazine

a collage of an exaggeratedly tall man who stands with one foot on a basketball and whose clothes are made out of black-and-white images of the Bronx, stnading in front of greenery on a basketball court

“Bronx No. 5”

a collage of an exaggeratedly tall woman wearing a vibrant abstract dress, standing next to a young child who also wears a vibrantly patterned dress

“Plate No. 417”

a collage of an exaggeratedly tall man wearing a hat and a stylized outfit, standing in front of a multi-image background of city buildings and wheat-pasted signs

“Retro Futurism No. 3”

a collage of an exaggeratedly tall man sitting on a stool with a body made of geometric, building-like shapes, holding a cell phone

“Plate No. 489”

a collage of an exaggeratedly tall woman wearing a black dress with the solar eclipse depicted in its skirt, wearing eclipse glasses and standing in front of a backfround of fields and sky

“Plate No. 244, Eclipse”

#collage
#Johanna Goodman

 

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